2×CD Additional details Type: Album + Compilation Packaging: Jewel Case Status: Official Language: English Script: Latin Data Quality: Normal Release events. D'Angelo's manager, Kedar Massenburg, was impressed with the performance and hooked her up with the. Greatest Hits Release by Erykah Badu (see all versions of this release, 1 available) Overview Disc IDs (0) Cover Art (1) Aliases Tags Details. A singer/songwriter responsible for all but one of the songs on Baduizm, she found a number 12 hit with her first single, "On & On," which pushed the album to number two on the charts.īorn Erica Wright in Dallas in 1971, Badu attended a school of the arts and was working as a teacher and part-time singer when she opened for D'Angelo at a 1994 show. The grooves and production on the album are bass-heavy R&B, but Badu's languorous, occasionally tortured vocals and delicate phrasing immediately removed her from the legion of cookie-cutter female R&B singers. Its cutting-edge hip-hop sound – delivered here in the shape of an ethereal flute sample offset by sharp, clipped minimalist beats by producer Karriem Riggins – formed the backbone for the singer’s hard-hitting meditations on racial inequality and black oppression.She grew up listening to '70s soul and '80s hip-hop, but Erykah Badu drew more comparisons to Billie Holiday upon her breakout in 1997, after the release of her first album, Baduizm. New Amerykah Part One (4th World War) found Badu taking a huge stylistic and thematic detour from her previous efforts. The track ends with a delicious nod to rare-groove man Johnny Hammond’s “Can’t We Smile.” Released in 2003 as a supposed EP that was actually longer than most artists’ full-length albums, Worldwide Underground’s immaculately executed analog grooves were exemplified by the deep basslines, dreamy keyboard runs and exquisitely funky guitars of this single – a nostalgic ode to youthful days spent smoking weed with friends.Ī highlight from her second album, Mama’s Gun, “Time’s A Wastin’” fuses funky bass lines with lush strings and playful keyboard interjections to underscore Badu’s cautionary tale to a young black man.
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